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・ Tom Dyckhoff
・ Tom E. Beer
・ Tom E. Dahl
・ Tom E. Finglass
・ Tom E. Huff
・ Tom E. Lewis
・ Tom Earle
・ Tom Earley
・ Tom Eastick
・ Tom Eastman
・ Tom Eastwood
・ Tom Eaton
・ Tom Eaves
・ Tom Ebersold
・ Tom Eccleston
Tom Eckersley
・ Tom Eckersley (footballer)
・ Tom Ed McHugh
・ Tom Edens
・ Tom Edlefsen
・ Tom Edmonds (footballer)
・ Tom Edmonds (media consultant)
・ Tom Edmunds
・ Tom Edur
・ Tom Edwards (American football)
・ Tom Edwards (broadcaster)
・ Tom Edwards (voice actor)
・ Tom Egan
・ Tom Egberink
・ Tom Egbers


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Tom Eckersley : ウィキペディア英語版
Tom Eckersley

Tom Eckersley (30 September 1914 – 4 August 1997) was an English poster artist and teacher of design.
==Early career==
Tom Eckersley was born on 30 September 1914 in Lancashire. His artistic training began in 1930 when he enrolled at Salford Art School, where his abilities were soon recognised and he was awarded the Heywood Medal for Best Student. One of his instructors was Martin Tyas. In 1934 Eckersley moved to London with the express purpose of becoming a freelance poster designer. He was accompanied by Eric Lombers (1914–1978), a fellow student and future collaborator on commissioned poster designs. He later cited poster artists A.M. Cassandre and Edward McKnight Kauffer as major influences.〔(【引用サイトリンク】url=http://collections.vam.ac.uk/item/O242152/poster-friends-tom-eckersley-fhk-henrion/ )
Eckersley-Lombers posters were both aesthetic and functional, thereby perfectly fulfilling advertisers' criteria. Eckersley-Lombers always supplied full size artwork with hand drawn lettering for their poster designs. Eckersley was involved not only in graphic design but in its teaching: he and Lombers worked as visiting lectures in poster design at Westminster School of Art. The partnership benefited from the cultural recognition of the poster as a design piece in the 1930s and from the fact that mass media was yet to explode, meaning that the poster was the only means of shouting a message to a mass audience. However, this was in turn restricted by tariffs that one had to pay to put up posters in authorised spaces. Posters thus needed to be memorable even to someone strolling past and therefore maybe only glimpsing it once.
Eckersley developed a style that emphasised geometric forms, flat graphic designs emphasising shape rather than depth of perspective, and a strong use of contrast by several means, including varying the size of elements, or using stark lines and shadowing with gradients. Eckersley's style was similar in its approach to Modernist graphic designers in France and Germany during the same period. His bold, simple style was well-suited for the workplace safety posters he produced for the Royal Society for the Prevention of Accidents throughout his career.

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